Where Protest Lives in Paint: Oaxaca’s Murals of Resistance

Kennedy Kiser

Oaxaca’s vibrant street murals speak out against injustice, preserve Indigenous identity and invite travelers to witness resistance in color.

Oaxaca mural of revolutionary figures and Mexican

In the southern Mexican state of Oaxaca, visual art spills onto the streets and across crumbling walls, telling stories rarely captured in textbooks or by tour guides. Oaxaca has long been a hub for both Indigenous culture and political resistance. Its murals reflect this layered history with vibrant and sometimes defiant voices, often highlighting legacies of colonialism and systemic inequality. 

Many amplify the voices of the Zapotec and Mixtec peoples, who have long resisted marginalization and assimilation. As scholar Bethany J. Welch explains, murals function as a way for Indigenous communities to reclaim public space and narrate their histories, refusing to allow their story to be filtered through state-sanctioned narratives and the lens of tourism.

Mural referencing the 43 missing students in Oaxaca, Mexico. Tobias Versus. CC BY 2.0.

Strolling through neighborhoods like Jalatlaco or Xochimilco becomes a visual lesson in autonomy. On Jose Lopez Alavez Street, bold images of Indigenous women, animal protectors and corn deities appear on walls beside neighborhood cafes and galleries. The murals mix ancient Zapotec symbols with messages of resistance to gentrification, environmental destruction and cultural erasure.

Mural referencing the 43 missing students in Oaxaca, Mexico. Tobias Versus. CC BY 2.0.

In central Oaxaca, a wall along Berriozabal Street honors the 43 students from the Ayotzinapa Rural Teachers' College who disappeared in 2014 while on their way to a protest. Created by the Urtarte Collective, the mural preserves their names and images, reminding passersby of the unresolved violence that continues to haunt their community. Elsewhere, recurring symbols like the possum — a local protest motif — emerge in politically charged artwork critiquing police violence and land theft.

Muralist painting wall for Casa de la Cultura in Oaxaca. Alejandro Linares Garcia. CC BY-SA 4.0.

Murals also serve as visual protests against environmental injustice. Canadian mining company Fortuna Silver Mines carries out operations near San Jose del Progreso despite long-standing resistance from locals. Murals in neighborhoods like La Noria depict masked water defenders, cracked land and slogans like “El agua vale más que el oro,” or in English, “water is worth more than gold.”

Feminist mural reading “Sin mujeres no hay revolución” in Mexico City. Wendy Aviles R. CC BY-SA 4.0.

Themes of gender injustice are equally prevalent. Oaxaca, like many parts of Mexico, faces an ongoing femicide crisis. In response, murals around the Santo Domingo Cultural Center and near Carmel Alto feature the faces of missing women, alongside phrases like “Ni Una Menos” (meaning “not one less” in English).

While often photographed, these murals are not decorative. They are part of an ongoing dialogue between community and state, artist and audience. Travelers can deepen their understanding by participating in walking tours run by local artists, such as Caminos del Arte, which provide historical and political context while ensuring support flows back into the neighborhoods depicted on the walls.

Oaxaca’s murals are not permanent fixtures. They adapt in response to elections, tragedies and resistance movements. Some are painted over, others quietly fade and many are reborn in new forms. This continued renewal reflects a larger truth: in Oaxaca, street art is a living archive — one that documents what official records often omit.

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Kennedy Kiser

Kennedy is an English and Comparative Literature major at UNC Chapel Hill. She’s interested in storytelling, digital media, and narrative design. Outside of class, she writes fiction and explores visual culture through film and games. She hopes to pursue a PhD and eventually teach literature!