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Kennedy Kiser
From public readings to prison cells, Russian poets are paying the price for speaking against the war.
Protesters march in Moscow against repression and fabricated charges. DonSimon. CC0.
“Kill me, militiaman!
You’ve already tasted blood!
You’ve seen how battle-ready brothers
Dig mass graves for the brotherly masses.
You’ll turn on the television—you’ll lose it,
Self-control has never been your strong suit.”
— Artyom Kamardin, “Kill Me, Militiaman”
In December 2023, Russian poet Artyon Kamardin was sentenced to seven years in prison for reciting anti-war verses during the public “Mayakovsky Readings” in Moscow. Fellow poet Yegor Shtovba, who performed at the same event, received a sentence of five and a half years. Kamardin was reportedly beaten and sexually assaulted during his arrest for reciting poetry in response to Russia’s war in Ukraine.
Daria Serenko at the Moscow International Book Fair in 2019. Sergey Leschina. CC BY 4.0.
Their cases are not isolated. In April 2024, feminist poet and activist Daria Serenko was added to Russia’s federal wanted list. Known for combining poetry with political action, Serenko has faced years of harassment. Her arrest warrant, however, marked a shift in the state’s approach. Where once artists were threatened, they are now hunted.
Literature has long played a role in Russian resistance. During the Soviet era, banned texts circulated underground through samizdat networks. Today, Telegram channels and independent journals continue that tradition, sharing poetry that challenges state narratives. But the stakes are now much higher. Poets are not just being silenced; they are being criminalized. The penalties include imprisonment, forced exile and public brutality.
At the center of this increased repression is the state’s fear of language itself. Poetry distills dissent into a form that is emotionally direct and difficult to contain. It spreads quickly, often through digital platforms, in defiance of Russia’s 2022 censorship laws. Unlike journalism or political commentary, verse can bypass logic and speak directly to the reader’s gut. As poet Osip Mandelstam once wrote, “Only in Russia is poetry respected — it gets people killed. Is there anywhere else where poetry is so common a motive for murder?”
This crackdown is not limited to well-known names. Emerging writers, students and performers with modest online followings have also been detained or investigated for speech-related offenses. In some cases, posting a poem on VKontakte, Russia’s largest social network, has led to criminal charges. The line between art and activism has been effectively erased, especially for those who oppose the war.
International literary organizations have responded by offering emergency grants, publication platforms and legal aid. PEN International, Freemuse and countless other organizations have condemned Russia’s actions, calling for the immediate release of detained artists. Yet the risks persist. For many Russian writers, exile is the only path to safety, though it often comes with the painful cost of losing direct access to their audiences.
Repressing writers like Kamardin, Shtovba and Serenko reveals a broader strategy: to eliminate not just protest but the imagination of a different future. By imprisoning poets, the government also suppresses the potential for alternative visions of the world.
Still, Russian poetry persists. In exile, through online platforms and underground readings, writers continue to speak out. In a regime that fears language, each poem becomes an act of resistance.
GET INVOLVED:
These organizations offer support to writers and artists facing political persecution. From legal aid to international advocacy, their work helps protect freedom of expression and document human rights abuses. Getting involved means helping preserve creative resistance in some of the world’s most repressive environments.
To learn more about PEN International, click here.
To learn more about Freemuse, click here.
To learn more about Memorial International, click here.
Kennedy Kiser
Kennedy is an English and Comparative Literature major at UNC Chapel Hill. She’s interested in storytelling, digital media, and narrative design. Outside of class, she writes fiction and explores visual culture through film and games. She hopes to pursue a PhD and eventually teach literature!